Abstract
Research Article| July 01 2011 Installing Atrocity: The Body of the Photograph in Susan Meiselas’s “Reframing History” Jay Prosser Jay Prosser JAY PROSSER is reader in Humanities at the University of Leeds. Most recently, he is coordinating editor of Picturing Atrocity: Photography in Crisis (forthcoming 2011), which features the work of several of the artists discussed here, including Meiselas. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2011) 39 (1-2): 74–79. https://doi.org/10.1525/aft.2011.39.1-2.74 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Jay Prosser; Installing Atrocity: The Body of the Photograph in Susan Meiselas’s “Reframing History”. Afterimage 1 July 2011; 39 (1-2): 74–79. doi: https://doi.org/10.1525/aft.2011.39.1-2.74 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAfterimage Search This content is only available via PDF. © 2011 Afterimage/Visual Studies Workshop, unless otherwise noted. Reprints require written permission and acknowledgement of previous publication in Afterimage.2011 Article PDF first page preview Close Modal You do not currently have access to this content.
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