Abstract

ABSTRACT As a composer-performer, Cat Hope has collaborated with Éliane Radigue in the creation of three new works: 2015's OCCAM HEXA II, co-composed with Carol Robinson and commissioned by Decibel new music ensemble, 2018's OCCAM XXIV for solo alto flute, and 2019's OCCAM RIVER XXIV for flute and cello. In this article, Hope traces the genesis of these works and her experience bringing these compositions to life via a shared composer-performers' circle: friendship networks and ways of being together that Hope argues are key to the success of Radigue's acoustic work. Drawing from meetings, discussions, and workshop sessions with Radigue, the experience of the evolving performance process and consultations with other Radigue performers, Hope outlines her perspective on how these works come together, link to each other, and contribute to the broader community of composer-performers.

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