Abstract

This article examines the strategies used by Johannesburg writers Phaswane Mpe and Ivan Vladislavić in their texts Welcome to Our Hillbrow (2001) and Portrait with Keys: The City of Johannesburg Unlocked (2006) to make sense of the bewildering transformations of post-apartheid Johannesburg. I begin by sketching the transformations of the city in the wake of the dismantling of apartheid-era segregation, sketching in particular the way in which the city has been turned ‘inside out’. Then, in the texts by Mpe and Vladislavić, I examine figures of the ‘inside out’, specifically Mpe's use of narratological loops and Vladislavić's implementation of the figure of the Möbius strip, to show how these recent literary texts have attempted to elucidate the vertiginous demographic changes in the city.

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