Abstract

This paper presents evidence for intentionally structured deposition at the later Neolithic earthwork and timber setting of Woodhenge, near Amesbury, Wiltshire. Deposition is seen as a process through which a variety of connotations and symbolic references were incorporated in the monument, in addition to contributing towards a complex classification of space that served to order ceremonial and ritual practices. The evidence for formal deposition is also considered in the context of comparable, contemporary, activity at two other extensively excavated monuments in the region — Durrington Walls and Stonehenge I. Finally, complementarity and contrast in such special practices are viewed in relation to individual monument histories and the possiblity that, whilst the product of a general sacred tradition, the way in which each of the monuments was used was structured by different sets of meanings.

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