Abstract

The aim of this study is to identify trends and prospects for the use of videomapping as a symbiosis of technology and art in modern stage choreography.Research methodology. The study of the specific features of using 3D-mapping as an innovative means of stage choreography is carried out on the basis of the integrated use of modern culturology and art criticism methods aimed at theoretical and artistic and practical understanding of the main aspects of the stage work process: an evolutionary method (to consider the dynamics of 3D-mapping technology development), system analysis and synthesis (due to which the videomapping was considered as part of world of scenic art, with its inherent originality), the method of cultural and historical analysis (which made it possible to consider the development trends in the stage technologies), typological method (thanks to which innovative principles of using 3D-mapping technology in the process of producing and showing choreographic performances were systematized), as well as the method of figurative and stylistic analysis of modern productions of stage choreography.Results. In the context of the specific features of modern stage design, the use of new visual technologies in the combination with an extraordinary artistic idea of the choreographer contributes to the creation of a statement that attracts the attention and interest of the viewer in many aspects, enhances the achievement of the desired psycho-emotional and aesthetic effects, and also contributes to the development of choreographic multimedia show as an independent genre.Novelty. For the first time in the national art criticism, the specific character of video-imaging in the production of modern and classical stage choreography has been studied; the main principles of synthesizing performing arts and high technologies of multimedia scenography are revealed; little-known facts of using videomapping in the process of staging the works of stage choreography of the 21st century were put into scientific use and the formation of innovative approaches to the development of dance dramaturgy is planned.The practical significance. The research may be used in developing lectures by specialists in cultural studies.

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