Abstract
Thin adhesive composite films were prepared by melt‐compounding and compression molding of a thermoplastic resin (Paraloid® B72) widely used for art protection and restoration with a microcrystalline cellulose powder (MCC). To simulate an oil painting restoration work, MCC‐based composites were applied as lining adhesives on two kinds of canvases (English linen and woven polyester). Interestingly, single–lap shear tests both in quasi‐static and creep conditions showed a remarkable stabilizing effect provided by MCC addition. Post‐mortem microstructural analysis of the overlap adhesive area proved how MCC introduction did not change the fracture behavior of the bonded joints. The visual assessment of transparency and color measurements evidenced a chromatic variation of MCC‐based films with a filler amount of 30 wt%, while, UV‐vis analysis showed a decrease of relative transmittance in proportion to the MCC content. Additionally, rheological tests highlighted a viscosity increase for Paraloid B72 in both dry and wet conditions (T = 23°C and RH = of 55%) as the MCC content increases. POLYM. ENG. SCI., 55:1349–1354, 2015. © 2015 Society of Plastics Engineers
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
