Abstract
Part I. Foundations of the Flowering-Plum Tradition: 1. The flowering plum in Chinese culture 2. A primer of the flowering plum idiom 3. The flowering plum aesthetic Part II. The Flowering-Plum in Painting: Pre-Song and Northern Song Developments: 4. The flowering plum in pre-song and Northern song painting 5. Monochrome flower painting in the rustic and elegant modes 6. The flowering plum and the flowering of scholar-painting Part III. The Birth of the Ink-Plum Genre and its Early Development: 7. The founder of a New Painting genre: Zhongren (d. 1123) 8. The completion of the formative process 9. A moment of balance, a moment of choice: the flowering plum in southern song painting Part IV. Momei under the Mongols: the Re-formation of the Genre during the Yuan Period: 10. Momei under the Mongols 11. Yuan ink-plum thought and theory 12. Yuan ink-plum practice.
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