Abstract

The Syriac and Christian Sogdian manuscript fragments in the Turfan Collection (Berlin) and in the Krotkov Collection (St. Petersburg) were written in black ink and, much less frequently, in brown ink. The use of red ink is very limited and not yet studied in detail. By linking the analysis of all the elements that are due or related to the scribal discourse in Christian Medieval Central Asia with a well‑established codicological tradition, this contribution is meant to outline the purposes of the use of different ink in the Syriac and Christian Sogdian manuscript fragments discovered in the early 20th century in Xinjiang (China). A broader perspective that takes into account other Eastern Christian manuscript traditions is also included.

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