Abstract
When synthetic fricative noises from a [∫]-[s] continuum are followed by [a] or [u] (with appropriate formant transitions), listeners perceive more instances of [s] in the context of [u] than in the context of [a]. Presumably, this reflects a perceptual adjustment for the coarticulatory effect of rounded vowels on preceding fricatives. In Experiment 1, we found that varying the duration of the fricative noise leaves the perceptual context effect unchanged, whereas insertion of a silent interval following the noise reduces the effect substantially. Experiment 2 suggested that it is temporal separation rather than the perception of an intervening stop consonant that is responsible for this reduction, in agreement with recent, analogous observations on anticipatory coarticulation. In Experiment 3, we showed that the vowel context effect disappears when the periodic stimulus portion is synthesized so as to contain no formant transitions. To dissociate the contribution of formant transitions from contextual effects due to vowel quality per se, Experiment 4 employed synthetic fricative noises followed by periodic portions excerpted from naturally produced [∫a], [sa], [∫u], and [su]. The results showed strong and largely independent effects of formant transitions and vowel quality on fricative perception. In addition, we found a strong speaker (male vs. female) normalization effect. All three influences on fricative perception were reduced by temporal separation of noise and periodic stimulus portions. Although no single hypothesis can explain all of our results, they are generally supportive of the view that some knowledge of the dynamics of speech production has a role in speech perception.
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