Abstract
Visual elements are one of the most prominent dimensions of visual arts which through it the broadest and most widely concepts are perceived by various human communities composed of different races and nationalities. Texture is very important as one of the visual elements influencing the artwork, especially painting works due to its visual appearance. Contemporary Iranian painters, like other painters in the world, have used the element of texture and created countless artworks. The authors examine the works of 10 contemporary Iranian painters in this regard. Accordingly, in this research, it is attempted to study the works of these artists by analytical-descriptive method with the aim of influencing the visual element of the texture as well as effectiveness on conveying the expression and meaning to the audience. The results of library and field studies show that the painters used different types of visual elements of textures in their works: actual texture, simulated texture, abstract texture and invented texture. Each of these artists has drawn design with regard to their social, emotional, and intellectual concerns of different types of textures to express their subject matter to the audience better. In fact, these painters have been able to create a remarkable and diverse work in terms of composition and visual features from the texture.
Highlights
Paying more attention to texture in visual arts is somewhat concurrent with the first attempts made in modern art
The authors investigate the influence of texture on contemporary Iranian painter works by studying and analyzing texture in their works, in order to convey expression and meaning to the audience and find answer to the question that whether using texture in the works of contemporary painters of the last thirty years has only a decorative aspect or a means of expression? In this way, in order to determine texture effects, 10 painting works of artists are analyzed which the element of texture is observed
In the smaller part of the right of the cadre, we find a set of stones with stimulated texture in a still-gray and uniform space at the bottom of the work which are drawn up in a accumulated and static manner
Summary
Paying more attention to texture in visual arts is somewhat concurrent with the first attempts made in modern art. In addition to the visual aspects of color combinations, texture provides a certain image quality. In the second category based on technical innovation, occasionally, they carry out automatic drawing thanks to collage, frottage, decalcomania, stamping methods, and etc. They use these techniques and methods to create textures in their works. In relation to texture, the most significant evolution in visual arts was performed when for the first time, modern painters including Picasso and Braque, in addition using color materials, used new things such as newspaper, boards, sand grains and etc. In their painting combinations to provide new visual quality with a fresh visual expression. The authors investigate the influence of texture on contemporary Iranian painter works by studying and analyzing texture in their works, in order to convey expression and meaning to the audience and find answer to the question that whether using texture in the works of contemporary painters of the last thirty years has only a decorative aspect or a means of expression? In this way, in order to determine texture effects, 10 painting works of artists are analyzed which the element of texture is observed
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