Abstract
During the seventh decade of the 20th century, Petar Lubarda continued to be an important figure in the cultural diplomacy of Yugoslavia. His artistic position and presence on the local and international exhibition scene would root him in a position of a key figure in the First Conference of the Non-Aligned Movement in 1961. His artistic presence would be of major importance for the invitation of the Commission for Cultural Relations of the Republic of India, who then organised exhibitions in New Delhi and Bombay (Mumbai). The aim of the paper is to analyse the artistic production during the first years of the seventh decade of the last century and his personal experiences during his stay in India, in order to point out the changes and his reasons behind those changes on the example of his works on the topic of India.
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