INDIGENOUS KNOWLEDGE FOR SUSTAINABLE PRACTICES: REFLECTIONS ON THE FOLKLORIC FORMS OF TEYYAM AND TOLU BOMMALATA

Abstract

The inclusion of culture as the fourth dimension of the sustainable development model projected by UCLG (2010) affirmed that heritage, knowledge, creativity, and aesthetics are essential grounds for developing a holistic vision towards sustainability. Folklore as a significant aspect of human cognition, way of life and world view not only demonstrates the complex layers of human existence through generations but also paves the way for a sustainable future through its cultural dimensions, social functions, and ecological lessons. The current research examines how two unrelated folkloric forms from distinct geographic regions emerge as exemplars of sustainable values embedded within the community. Focusing on the ritualistic performance of Teyyam from Kolathunadu and the folk-art form called Tolu Bommalata from Nimmalakunta region, it argues on the inextricable association of indigenous knowledge systems with its natural and cultural landscape thereby demonstrating the case of a sustainable model. A cultic practice prevalent in the cultural region of Kolathunadu, Teyyam advocates a strong association with the tribal culture of the land in terms of its environmental, social, and cultural values. Tolu Bommalata of Nimmalakunta region, renowned for its distinct cultural expression of storytelling and entertainment is a living folk tradition of shadow puppetry that combines the elements of performing as well as visual arts. The research through a qualitative perspective focuses on ethnographic methods backed by the documentation and analysis of the tangible aspects of folklore. Apart from the reflections on the cultural plurality of Indian folklore and crafts, the study reveals its co-existence with the landscape embodying the environmental, social, and cultural values thereby demonstrating a sustainable model in Indian folklore.