Abstract
Drama is a composite ne art. It is mimetic like any remaining performing expressions in writing literature. It imitates life, specially reecting the three unities of drama- time, place and action. As Somnath Sarkar says: "It is intended for portrayal on the stage by entertainers who act the parts of the characters of its story, and among whom the account and the discourse are conveyed." India has a long and fertile history in Drama, beginning from Sanskrit plays of Vedic Age. Dramatists of Indian Writing in English have scaled the length and expansiveness of the experimentation in dramaturgy of India during and after independence. To understand the profundities of Indian Drama in English certain characteristics features are to be remembered. Fundamentally, the Indian Writings in English during Modern Age articulate the growing and the all around present authors as well as the impact of Existentialism, Globalization, Surrealism, Dadaism, Magic Realism and the Post Colonial issues. India had been under the provincial shackles for a time span of 300 years and indeed the colonial language and culture had cast its direct shadow on the Indian literary venues
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