Abstract
Bennett, G.H., ‘Goodbye Mr President’: Presidential Libraries and Public History in the USA. pp. 23–36 Elmaleh, E., American Pop Art and political engagement in the 1960s. pp. 181–191 Fuller-Coursey, F.J., Henry Adams, scientific historian: ‘even into chaos’. pp. 103–124 Gutkowski, E., Gertrude Stein and Jules Laforgue: a comparative approach. pp. 125–138 King, C.R., The good, the bad, and the mad: making up (abnormal) people in Indian country, 1900–30. pp. 37–47 Michailidou, A., Edna Millay, Muriel Rukeyser, and Adrienne Rich: political poetry, social protest, and the place of the woman writer. pp. 7–22 Newell, D., Home truths: women writing science in the nuclear dawn. pp. 193–203 Redman, J.H.E., The American happy family that never was: ambivalence in the Hollywood Family Melodrama. pp. 49–69 Scaggs, J., Sex, drugs, and divided identities: The detective fiction of James Crumley. pp. 205–214 Smith, J., Missing a beat: Story-making and the absent president on September 11. pp. 85–102 Stein, D.T., ‘I ain’t never seen a nigger’: the discourse of denial in Lee Smith’s The Devil’s Dream. pp. 139–157 Williams, P., ‘What A Bummer for the Gooks’: representations of white American masculinity and the Vietnamese in the Vietnam War film genre 1977–87. pp. 215–234
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