Abstract
ABSTRACT This study explores performative features of a children’s masking performance carried out among the Igbo of Southeastern Nigeria. Informed by the need to interrogate the cultural dimensions of the Bakhtinian notion of the carnivalesque, it discusses the extent to which some Igbo children’s masking activities resemble carnival performance. Using data drawn from fieldwork and conceptual precepts from carnivalesque theory, the study analyses Igbo children’s ekpo masking performance as a veritable kind of carnival presentation, by discussing the elements of Igbo children’s ekpo masking display which is usually characterized by humour, laughter, freedom to participate, reversal of hierarchy and merry-making. The study concludes that Igbo children’s ekpo masking presentation displays strong parallels with carnival performance.
Published Version
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
