Abstract
O presente texto discute as questões em torno da escrita de uma história das mulheres artistas no Brasil, a partir da perspectiva da crítica feminista da história da arte. Além de atualizar este debate ao situar o caso brasileiro, pretendemos demonstrar a aplicabilidade das teorias responsáveis por problematizar uma história androcêntrica da arte por meio de uma pesquisa específica sobre a pintora Inah D’Ávila Costa (1915-1998). A discussão aqui apresentada enfoca o Brasil da década de 1980, caracterizado, ao mesmo tempo, pela movimentação feminista e pelas primeiras publicações sobre a história das mulheres, e, igualmente pelo entusiasmo na arte brasileira com a «volta da pintura» e o auge da carreira de Inah Costa.
Highlights
The present article discuss the questions around the written of women artists history in Brazil, since the critic feminism viewpoint of art history
In addition to upsdate the Bra-zilian case, we intend show the application by the theories responsibles for discuss one androcentric arte history by way an specific research about de painter Inah D’Ávila Costa (1915-1998)
The subject that shows here focus on the 1980s in Brazil, character-ized, at the same time, by the feminist movimentation and for the ealier publications around the women history, and, as well as, by the enthusiasm in brazilian art with the « return of painting» and the top of Inahs career
Summary
The present article discuss the questions around the written of women artists history in Brazil, since the critic feminism viewpoint of art history. A partir dos estudos sobre as mulheres artistas aos poucos se delineava uma articulação com as especificidades da história da arte.
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