Abstract

This article examines narratives by professionals working on preventing gender-based violence in Sweden through a Gothic lens. It draws on interviews with authorities responsible for preventing gender-based violence in one region of Sweden and explores the way national policies are translated into regional action. Our analysis shows how the “reel” is adopted by the professionals and becomes a part of the “real,” resulting in implications for policy. By looking at the participants’ narratives through a Gothic lens, this article argues that local-level professionals working to prevent violence frame gender-based violence as a problem of two “othered” groups: the “Immigrant Other” and the “Rural Other.” Through a narratological strategy of illumination and obscurity, these groups of offenders are rendered both uncanny and monstrous by the respondents—a monstrosity that obscures any violence occurring outside this framing. The problem of gender-based violence is relegated from the site of the mundane to the sphere of the monstrous.

Highlights

  • Just as Little Red Riding Hood entered the wood, a wolf met her

  • Why a Gothic lens? Contemporary society has been permeated by the Gothic

  • Crime victims and offenders do not always fit with our conception about the “perfect victim” or “perfect offender,” as seen in “reel” worlds (Picart and Greek 2007). Such portrayals are clearly visible in newspapers and television shows, and are strikingly similar to the story of Little Red Riding Hood, quoted in the epigraph above

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Summary

Introduction

Just as Little Red Riding Hood entered the wood, a wolf met her. Red Riding Hood did not know what a wicked creature he was, and was not at all afraid of him. (Brothers Grimm 1812: 51) In this study, we use a Gothic lens to explore narratives of professionals working to prevent gender-based violence among youth. The focus of this study is, to examine how gender-based violence is storied by Swedish authorities working on this issue on a regional and local level by exploring the Gothicity of their narratives concerning gender-based violence. We undertake this examination in order to trace how the narratives are informed by contemporary Gothic notions about violence, where the violence occurs, and who the offender is or might be. The following parts will provide background for the theoretical framework used in the current article, outlining the area of Gothic Criminology, as well as concepts relevant for our analysis

Gothic Criminology
The Uncanny and the Abject
Methodological Considerations in Narrating Monstrosity
The Rural Other
The Immigrant Other
Discussion
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