Abstract

The Greek poet C.P. Cavafy (1863–1933) is held in high esteem around the world by readers and authors alike. He had influenced not only some of the greatest authors of the twentieth century, but due to the fact that his work lends itself particularly well to translation, he is also a relatively strong presence in literatures other than Greek and English. For many – most notably gay readers, authors and artists – Cavafy holds an exemplary status both in terms of literature and life. W.H. Auden has argued that, what ultimately distinguishes Cavafy, is his tone of voice which reveals a person with a unique perspective on the world. Within the context of a research project on idiolectic author identity, this contribution attempts to review the distinguishing features of Cavafy’s work in terms of both form and content. This is done within the framework of the broad critical discourse on Cavafy, and with reference to some manifestations or examples of a Dutch and Afrikaans critical and creative perspective on his poetry, with the aim to shed specific light on the special kind of wisdom communicated in Cavafy’s work.

Highlights

  • Postal address: Internal box 395, School of Languages, North-West University, Potchefstroom Campus, Private Bag X6001, Potchefstroom 2520, South Africa

  • Note: The first part of the title of this article is that of a Toon Tellegen (2007:145) poem entitled: ‘Op de wijze van Kavafis’

  • In addition: this article is based on a paper that was delivered at the Seventh Congress of the South African Association for Dutch Studies, in Cape Town, 2011

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Summary

Introduction

Postal address: Internal box 395, School of Languages, North-West University, Potchefstroom Campus, Private Bag X6001, Potchefstroom 2520, South Africa. Die vraag wat Auden destyds reeds besig gehou het, is hoe dit kom dat die poësie van Kavafis, die uniekheid daarvan, behoue bly in vertaling en telkens weer ’n appèl op lesers maak.

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