“In the Free”: The Work of Emancipation in the Anglo-Caribbean Historical Novel

Abstract

The concluding words of Erna Brodber'sThe Rainmaker's Mistake, a novel prompted in part by the two-hundredth anniversary of the 1807 Act to Abolish the Slave Trade in Britain's Caribbean Colonies, affirm its engagement with history and historiography, emphasizing the need for Caribbean writers of the twenty-first century to search the past – uncover its traumas, its mysteries, and its treasures – in order to make sense of the present and project a future “in the free.” Brodber's work, of course, is part of a much larger and longer conversation among Caribbean novelists about what it means “to search and to reproduce and to cultivate,” literally and metaphorically. To explore the implications of this conversation, my essay focusses on this various and vexed cultural work as performed in three key Caribbean novels: E. L. Joseph'sWarner Arundell: The Adventures of a Creole, published in 1838, the year that “full freedom” was granted by the British Parliament to the enslaved population of the British West Indies after a four-year apprenticeship period; Paule Marshall's 1969The Chosen Place, The Timeless People, produced during a period of independence for many Anglo-Caribbean nations, including her parents' native Barbados in 1968; and, finally, Brodber's 2007 “Afrofuturistic” novelThe Rainmaker's Mistake.