Abstract
The text approaches the concept of moment based on the context in which Moreno created it. It analyzes the paradox of the announced centrality of this concept in his work, although he did not pay much attention to it. From the presentation and problematization of the usual notion of time, linear, universal, objective and chronological, the author presents the notion of Moreno’s moment and attempts to delineate and retake the central meaning it has in his work. It ends by suggesting a rapprochement between Moreno’s work and some philosophers’, particularly Bergson and Deleuze, so that psychodramatic theory and clinical practice can benefit from the depth that a theory of temporality based on the notion of moment may have.
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