Abstract
A critical exploration of Muslim female sexuality through the feminist analysis of the various female characters in Twilight in Delhi and The Holy Woman, by Ahmad Ali and Qaisra Shahraz respectively, is the central focus of this paper. Theoretical insights have been drawn from Islamic feminism and Postcolonial feminist scholarship for the contextual understanding of female sexuality. Focusing specifically on the issue of female sexuality and marriages, in both of the novels, this paper demonstrates that Muslim women in the postcolonial Pakistan seems to have gained a certain measure of agency as compared to the plight of women in the colonial milieu of Ali’s novel. However, examined closely, as this paper will highlight, women in both of the novels, still in certain ways, remain helpless victims of sexual victimization. This comparative analysis of novels based in two varied settings of colonial and post-colonial Muslim societies reveals that female sexuality remains a stifling point of contention which is predominantly controlled by men.
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