Abstract
AbstractWhere is one's voice to be found? Not all architects search for it in both drawing and writing. Eliyahu Keller, an architectural historian working at the Technion – Israel Institute of Technology, examines one of Lebbeus Woods's distinct early tropes: an ever‐tense continuum between the image and the text. His ocular reading of Woods's scripts diagnoses their involvement with a darkness of an age, not its light.
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