Abstract

This study analyzes a set of Renaissance portraits in which an epigram is registered on the canvas. Examination of a group of short compositions can illuminate some of the most complex aspects of the relationship between text and image in the Age of Humanism and the intensification of panegyric function in some official portraits.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call