Abstract

D. H. Lawrence was one of the most controversial writers of the twentieth century who dared to criticize established convention through both his fictional and non fictional works. To this end, he moved away from literary conventions and used language in a new way, took well- known symbols and transformed them into vectors of his own individual and unique thought. Through an examination of his work , Apocalypse, my aim, in this article, is to show how Lawrence negates orthodox religious thinking, by showing not only how religious scribes mutilated and destroyed an original pagan text, but also, how a morphological shift in language helped fuel false ideals. Taking Stoicism as his starting point, I will try to prove that the doctrine of Zeno of Citium, concerning man’s affinity with the universe, forms the kernel of truth for his own personal philosophy. This article is divided into three sections. The first section will show how Lawrence shared many of the beliefs of Zeno of Citium, the founder of the philosophy of Stoicism. The second section aims to show how Lawrence defies meaning through an examination of the Book of Revelation. The third section explores apocalyptic symbols revealing Lawrence’s unique interpretation of them.

Highlights

  • Throughout his short but meaningful life, D

  • The first will show how Lawrence shared many of the beliefs of Zeno of Citium, the founder of the philosophy of Stoicism

  • The second aims to show how Lawrence defies meaning through an examination of the Book of Revelation, and the third explores apocalyptic symbols, revealing Lawrence’s unique interpretation of them

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Summary

Introduction

Throughout his short but meaningful life, D. Shirley Bricout, in her essay L’itinéraire d’un prophète en fuite, reveals how the Bible impacts Lawrence’s style and language and, despite his rejection of conventional Christianity, became an essential source for his political and philosophical thought Both writers recognize that Lawrence pinned his hopes for a renewal of civilization on the reinterpretation of the most influential biblical texts. He believed that artists of all kinds (writers, artists and sculptures) could use their works as tools for social change He aimed at being a pioneer and, at the expense of his literary reputation, he tried to lead man away from the suffocating dogma of convention and persuade him to embrace life through innovation and creativity. Through an analysis of the main symbols of the Book of Revelation, I have consolidated my aim to show how Lawrence’s innovative vision undermined conventional interpretation and offered an apocalyptic message of renewal and hope which, paradoxically, has always existed

Lawrence and Stoicism
Lawrence and the Book of Revelation
Lawrence and the Symbols of Apocalypse
The horse
The underworld
The dragon
The woman
The twins
Conclusion
Full Text
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