Abstract

The role of architectural education in facilitating the international flow of ideas and developing the local profession during the interwar period is relatively underexplored. In Australia, the Melbourne University Architectural Atelier (1919–1947) was instrumental in introducing foreign methodologies while promoting a locally inflected paradigm of modern architecture. Based initially on the Ecole des Beaux Arts, the atelier's emphasis on composition and form, rather than a single accepted architectural style, fostered a culture of experimentation among Australian architects. But its focus on scholarship instead of professional qualification led to its eventual demise, highlighting the complex relationship between global design culture and local architectural practice.

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