Abstract
The article ‘Im/Pulsive practices: painting and the logic of sensation’ offers a critique of Gilles Deleuze's interpretation of the notion of the ‘figurai’ which is elaborated in his 1989 article, ‘Francis Bacon: the logic of sensation \\ This article argues that the effects of the figurai may be activated in figurative and abstract painting and not just in the work of Francis Bacon.
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