Abstract
Dance creation involves complex psychological activities. Although previous studies have conducted extensive investigations on the psychological aspects of choreographers’ creations, little is known regarding the psychological barrier of choreographers in terms of creativity. The study aims to explore the psychological barrier of innovation in dance choreography, which is a kind of situation between mental illness and mental problems. The research shows that improvisational dance is a free dance with the human body as a material carrier, and it is a dance form that the dancer’s thinking is transformed into dance action to express their inner thoughts. The improvement of the potential creative thinking of dance creators through the improvisational dance movement and structure are explored. Meanwhile, the theoretical ideas of psychologists have been applied to the cultivation and improvement of improvisational dance creativity, which has made full certification and supplement. Moreover, through psychological experiments, it is proved that improvisational dance is an important way to release and develop creativity. Based on the theory of psychology, feasible suggestions are given to improve students’ creative ability in the process of improvisational dance teaching.
Highlights
Dance is an attractive and enjoyable art form of creative expression
Improvising dance is one of the links of dance creation, and one of the topics of modern dance choreography theory, which is included in the compulsory course of the university dance department
The body is the material carrier of dance, through which dancers can express their emotions and thoughts, so dance teaching is closely related to multiple intelligences
Summary
Dance is an attractive and enjoyable art form of creative expression. People have discovered this type of art for a long time, which has evolved with the progress of human society (H’Doubler, 1957). As an important creator of dance art, the choreographer is responsible for designing and depicting the artistic practice of dance in terms of movement sequence and form content Dancers vary their movements according to space, speed, rhythm, etc., and express them precisely and improve them according to the choreographer’s demonstration. In the current society full of commercial atmosphere, mass culture profoundly affects the aesthetic interest of young people and gives birth to a new generation of dance choreographers (Henfield et al, 2010). These new generation choreographers need to take into fusing the traditional techniques to create new trends in
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