Abstract

Abstract: This essay argues that Ben Lerner’s novel 10:04 (2014) employs “implicated realism” to represent the environmentalism of the rich. Implicated realism is a self-reflexive aesthetic that reveals how the foundations of literary realism—narrative description, bourgeois settings, an emphasis on daily life—rely upon the forms of exploitation that have also produced the climate crisis. I demonstrate that implicated realism in 10:04 , paradoxically, consists of both hyperrealism and realist failure. Lerner’s novel applies hyperrealist description to seemingly innocuous scenes, uncovering their implication in the uneven distribution of environmental harm. Such hyperrealism exists alongside realist failure, which 10:04 both thematizes and performs. Through realist failure, then, implicated realism confronts the compromised history of realism and its association with possessive individualism and extractive capitalism. Consequently, although many ecocritics discount realism’s ability to represent climate change, this essay identifies implicated realism as a self-reflexive and adaptive mode.

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