Abstract

Plagiarism is topical within the music industry. It is filled with circumstances such as the potential of massive losses coupled with a “false-positive” court ruling due to the blurred line of plagiarism factor. This research aims to solve the gray line of music plagiarism by exploring the potential of the Szymkiewicz-Simpson coefficient toward musical aspects of music. Melody and Rhythm are chosen as the main features to focus on in the research. MIDI files of music involved in court cases are used as data for the study, with limitations put on what cases can be used for the research. Using a threshold range of 0.1 to 0.25, detection accuracies for melodic plagiarism range from 45% to 60%, while rhythm plagiarism ranges from 60 to 65%. This shows that the algorithm of plagiarism detection has a tendency to detect non-plagiarism cases and is more effective towards rhythm plagiarism detection rather than melodic plagiarism detection against existing plagiarism cases.

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