Abstract
Abstract: Contemporary French author Annie Ernaux makes salvaging, recycling, and defying obsolescence into a materialist poetics. Ernaux aligns her textual collages with a late-capitalist incarnation of the Parisian ragpicker. The overlap of the two main tropes in Ernaux’s oeuvre, the axis of reminiscence (embodied here mainly in the works The Years and A Girl’s Story ) and the axis of everyday experience in late capitalistic Paris and its suburbs ( Exteriors , Things Seen ), assemble into a poetics of chiffonnage . In both axes, residues of the everyday are recycled into writing, an effort that reframes the tradition of ragpicking from its context in nineteenth-century Paris into a discourse of waste and recycling.
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