Abstract

Derrida has long served as a foil, in the work of John Milbank, and represented the neo-pagan nature of much contemporary philosophy. He appeared in Theology and Social Theory as one of the heirs of Nietzsche, politically justifying and ritualizing violence. In the Vico books, Derrida appears again, contrasted with Vico's ability to imbue language not only with constituting power, but with a teleologically oriented realism. This theme is expanded in subsequent works, where Milbank makes Christological and Trinitarian studies of linguistic difference, and accuses Derrida's thought of degenerating into nihilism. Nonetheless, Milbank and Derrida are disturbed by a similar problem. There is, for both, an irrational moment at the foundations of political life that calls out for a decision. For Derrida this decision institutes the whole order of meaning, undergirded by the quasi-transcendental structure of writing. According to Milbank, this renders all content arbitrary, leaving Derrida unable to imagine a genuinely meaningful world. Milbank argues, instead, that the important decision is whether or not one will see the content of experience as meaningful or meaningless. Derrida's denial of meaning, which is also a denial of God, is ungrounded. One ought, instead, see the world as the image of God.

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