Abstract
Yael Farber takes a real episode of brutal domination and power, hatred and violence, horror and bloodshed, shame and anguish, and creates a stage worthy award winning production that is touring the world. Responding to the infamous gang rape and murder of a young woman on a bus in Delhi in 2012, which engendered protests throughout India and a national reassessment of the place and perception of women in Indian society as well as the prevalence of sexual violence, this production, has stirred the hearts of audiences. This article aims to understand the power and strength of Nirbhaya and the show’s relationship to the real events and their impact nationally, and, on the other hand, assesses the intercultural nature of the project, with its international cast, its South African director, its UK premiere and tour, and its subsequent New York performance. Born from a collaboration of committed performers and guided by Farber’s artistic vision, Nirbhaya is a unique theatrical response to the explosive events of December 2012 within the Indian theatrical community, in its simultaneous incorporation of confessional material, its use of ritual and poetic elements within a strong theatrical structure and its approaches for reaching audiences.
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