Abstract
This essay proposes a reflection on the curatorial work I did for the exhibition Comunidades Visibles: The Materiality of Migration, exhibited between February and May 2021, at the Albright-Knox Art Gallery, in Buffalo, New York. The exhibition brought together artworks by first- or second-generation immigrant Latinx artists. Each combines materials and techniques from their country of origin, from other colonized places, or from their present context with everyday or art historical references.
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