Abstract

Since 2014, immersive media storytelling has gained significant attention, with technologies such as 360° video providing unique first-person experiences, leading to the emergence of immersive journalism and documentaries. Some view immersive media as an “empathy machine” for fostering social change by creating strong connections between the audience and the issues portrayed. This paper critically examines this claim through a practice-based research approach, exploring five socially-driven immersive media projects from 2018-2020 in various countries, and interviewing 21 experts, both scholars and practitioners. The insights derived from this research provide an innovative conceptual framework that encompasses socially-driven immersive media productions, moving from initial empathy towards a more comprehensive concept and phenomenon native to the medium, referred to as “emotional geography”. This framework aims to shed light on the affective dynamics of immersive media in relation to social change, and offers valuable insights for future research, productions and critical discussions on the growing, emotionally-charged digital media ecosystem driven by advancing technologies.

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