Abstract
Abstract ‘Betwixt fiction and documentary’ reveals Imamura’s development as a filmmaker through reference to historical events that shaped the style and form of his work. Imamura traces his quest for an authentic cinematic to his involvement in the black market in the years immediately after Japan’s surrender and occupation. ‘Betwixt fiction and documentary’ also gives the background to why Imamura turned his back on commercial filmmaking for most of the 1970s.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
