Abstract

Apartheid was a deeply devastating system to the aspirations, dignity and human rights of black people. Apartheid, though, united them in their struggle for justice which culminated in the 1994 general elections. Despite the attainment of independence, though, black women still had to contend with another form of oppression—patriarchy. This study investigates stereotypical gender representation of women in Xhosa radio plays. The study used a qualitative approach and analyzed radio plays that were broadcast in the apartheid years. Two radio plays; Thamsanqa’s Buzani Kubawo (ask father) and Kheswa’s USomagqabi were analyzed in order to understand how women were written into the plays. Radio plays were decidedly gendered inappropriate and unapologetically biased towards men. In this regard, the study deployed the feminist poststructuralist theory and suggested possibilities for the attainment of women’s emancipation in the new dispensation. It offered that women should challenge the plays’ propagation of gender inequality that hinders women’s equal rights by heeding Cixous’ call that “woman must write woman”. The double oppression of women because of their skin color and gender can only be defied when women themselves tell their own stories. Therefore, the study recommended gender-sensitive radio content and an inclusive staffing at the SABC so as to ensure that radio plays carry a transformative agenda that breaks gender stereotypes such as inequality, marginalization and oppressive marriages. The plays must champion socio-cultural realignment and promote equal education as well as meaningful involvement of women in decision making.

Highlights

  • The ProblemMedia influences the society’s perceptions and ideas about the world “out there”

  • This study investigates stereotypical gender representation of women in Xhosa radio plays

  • According to Kirschke (1996: p. 35.) the genocide was mainly incited by Radio Television Libres Des Mille Collines (RTLM) through the use of different indigenous languages

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Summary

Introduction

Media influences the society’s perceptions and ideas about the world “out there”. Radio, occupies a critical position in society regarding the dissemination of information. Because of its pervasive nature, its content can be construed as reality especially in traditional, illiterate communities In such communities broadcast media is the bringer of truth. The Broederbond, the Afrikaner think-tank, deployed its spies to monitor radio content to ensure that the apartheid system was not undermined Those who were planted for this purpose were Afrikaner men who were recruited from the farms because they were conversant in the local languages and so would be able to access material in indigenous languages. Radio plays promoted the sedentary domestic life of rural South Africa where women look after the household and children, at the expense of an inclusive society where women are encouraged to have a say in politics, religion, and be part of decision-making especially in matters concerning them. The gendered social structure that was reinforced in the plays tended to be replicated in the lived lives of the audiences

Research Significance
Theoretical Framework
Burden of Womanhood Xhosa Radio Plays
Woman Commodified in Xhosa Radio Plays
Buzani Kubawo
USomagqabi
Conclusion
Full Text
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