Abstract
Malcolm Riddoch investigates the relationship between the auditory imagination and our perception of sound. He states that, from a physical perspective, both imaginary and externally stimulated sound would seem to be the product of neurological processes. From a phenomenological perspective, however, phenomenal sound is fundamentally something that is heard. This apparent paradox leads Riddoch, via the “hard problem of consciousness,” to present and discuss a number of different forms and understandings of “sound” and to eventually posit that the sounds themselves—imagined or externally stimulated—are “nonphysical phenomena disclosed in the lived experience of hearkening to the meaningful sounds one hears in the world.”
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
