Abstract
This paper examines the construction of imperial landscapes in the borderlands of eastern Africa in the early twentieth century. Recent literature has emphasized the haphazard, contingent, and often hybrid nature of mapping imperial frontiers and colonial governance in eastern Africa. This paper looks at the role of photography in the mapping of the Kenya-Somali frontier through the rich photographic archive of colonial official, Sir Geoffrey Archer. Archer documented his cartographic surveys through multiple media – diaries, maps, photographs – that provide a unique lens through which to explore the role of visual culture in contestations over territoriality, mobility, and sovereignty. While this photographic archive visualized imperial frontier landscapes and documented the work of cartographic surveys, it also revealed the dependency on local intermediaries, through their labour, geographic knowledge, and spatial practices. Photography-as-cartography demonstrated both the productive work of photography and the ambivalent presence of colonized peoples in the mapping of imperial frontiers, revealing the social lives of the borderlands and capturing fugitive meanings, bodies, and landscapes.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
