Imagined Solidarities: Cairo‐Moscow and the Struggle for Realist Art

Abstract

This essay examines an understudied history of reciprocal art exhibitions between Cairo and Moscow during the Cold War period. It focuses on the work of Gamal El Sagini, Inji Efflatoun, and Hamed Owais, and sets out their role in forging new networks of revolutionary art in the Soviet Union. By addressing how post‐colonial art was received and utilized in Soviet Russia, this article uncovers the extent of Soviet cultural engagement with Egypt, the African national liberation struggles, pan‐Arabism, and international solidarity amongst the Second and Third Worlds more broadly. Offering a more complex reading of the processes behind Soviet involvement in the utopian project of socialist worldmaking, this essay argues for the need to assess critically Soviet claims to anti‐imperialism, peace, international solidarity, and friendship. It discusses the role of art in these processes, and addresses the changing definitions of realism, nationalism, and humanism in the socialist world, making a contribution to alternative understandings of post‐war figuration.