Images of Jewish identities in Lithuanian literature of the twentieth century: Grigorii Kanovich and Markas Zingeris

Abstract

This paper deals with the identity concept of two Lithuanian Jewish writers, Grigorii Kanovich and Markas Zingeris. Kanovich, as a member of the Holocaust generation, writing in Russian, depicts his protagonists as spiritual and hardworking people with strong self‐confidence, resting on religion and custom. By means of the narrative technique of memory, Kanovich creates a literary resurrection of the Lithuanian Jews as a people which was almost completely exterminated during the Holocaust. Omnipresent pictures of cemetery and grave transform the Lithuanian space into a metonymy of death and, grotesquely, to the only place of home, being the “shelter” for the killed bodies of the Lithuanian Jewry. Markas Zingeris, growing up in post‐war Soviet Lithuania, represents the concept of open identities, changeable in time and place. Calling himself a Lithuanian writer who has been raised within a Lithuanian, Jewish, and, not least, Soviet milieu, Zingeris depicts his protagonists in in‐between situations. Writing in Lithuanian, speaking several languages fluently and working as translator, Zingeris embodies the cosmopolite. At the same time, though, he is a writer of collective memory. He comments on the apparent loss of the great utopia of an autonomous identity with ironic melancholy, pointing instead to the rich variety of hybrid identities.