Abstract
Abstract This article analyses photographic portraits of three international thinkers – Merze Tate, Margery Perham, and Susan Strange – to shed new light on the intellectual and disciplinary history of Internationa Relations (IR). Photographic portraits are ubiquitous, and feminist intellectual recovery projects lend themselves to photographic representation. But IR’s historians have neglected portraits. Drawing together two thriving IR subfields for the first time, visual studies and international intellectual history, this article demonstrates the theoretical and historical gains from analysing portraits of international thinkers. When read alongside other primary and secondary sources, portraits can enable new ways of seeing IR’s history and specific thinkers, offering a distinctive and powerful resource for new narratives about the professional, gendered, and racialised contexts of international thought.
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