Abstract
The article is an analysis of "Havarie" by Philip Scheffner as a picture about the very process of making pictures of refugees. The author applies the perspective of visual culture studies to argue with instrumentalisation of representations, which is typical for social psychology, and to question simple differentiation between humanitarian and non-human images of refugees.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have