Image of the Samarkand city in the artistic worldview of the historical novel by O. Yoqubov “Treasures of Ulugbek”

Abstract

INTRODUCTION. The purpose of the research is to study the urban text in the reflection of the artistic worldview of the historical novel by Odil Yoqubov “Treasures of Ulugbek”, which allows to consider the work based on the analysis of the place and action of events.MATERIALS AND METHODS. The research material is the historical novel by O. Yoqubov “Treasures of Ulugbek”. The descriptive method, chronotopic, motivic and geopoetic approaches are used.RESULTS AND DISCUSSION. It is determined that the historical existence of the city of Samarkand in the work of art defined the behavior of the characters: the image of the city acts as a secondary character, becomes a direct participant in cultural and historical events.CONCLUSION. The analysis of the artistic worldview of the historical novel by O. Yoqubov “Treasures of Ulugbek” shows that the atmosphere of everyday life of Samarkand residents of the 15th century includes cultural, historical, chronological, aesthetic aspects, with the help of which the direct connection in the image of a person, his feelings, and the surrounding reality is recreated. It is proved that the toponym Samarkand is a kind of artistic chronotype that allows to represent the unity of national and regional culture, to realize through the past historical urban reality and to assert that the image of the city of Samarkand is the basis of the artistic thinking of the novel author O. Yoqubov.