Image into Identity

Abstract

Acknowledgements List of Figures and Tables Notes on Contributors Introductory 1. John OSBORNE and Michael WINTLE: The Construction and Allocation of Identity through Images and Imagery: an Introduction 2. Joep LEERSSEN: The Downward Pull of Cultural Essentialism Immigration and Race 3. Brigitte ADRIAENSEN: Coming to Terms with Franco's Legacy: Trauma and Cultural Difference in the Work of Juan Goytisolo 4. Henriette LOUWERSE: Killing an Arab? Ghostlier Demarcations in Hafid Bouazza's 'Spookstad' and 'Abdullah's Feet' 5. Jacqueline MAINGARD: Cast in Celluloid: Imag(in)ing Identities in South African Cinema 6. Angeline MORRISON: Black Skin, Big Hair: the Cultural Appropriation of the Afro National and Regional Identity 7. Paul GILBERT: Republics, Tribes and National Identities 8. Tom VERSCHAFFEL: 'Par les Yeux Parler a l'Intelligence': the Visualization of the Past in Nineteenth-Century Belgium 9. Marnix BEYEN: The Schizophrenia of an Icon: the Impact of Thyl Uylenspiegel on National and Gender Identities in Belgium in the Nineteenth and Twentieth Centuries 10. Adrian CHAN: On Being Chinese Gender 11. Stef CRAPS: How to Do Things with Gender: Transgenderism in Virginia Woolf's Orlando 12. Mary ANNE FRANKS: (Porno)Graphic Depictions: Image and Sexual Identity 13. Nuria LOPEZ :Women's Image and National Identity in the Indian Nationalist Movement Text and Identity 14. Ann DAVIES: Resurrecting Carmen: Sexual and Ethnic Identity in the Cinema 15. Phil POWRIE: Embodying the Nation: Viviane Romance in Carmen (1945) and Rita Hayworth in The Loves of Carmen (1948) 16. Joy JAMES: Becoming Butterfly: Apparatuses of Capture and Evasion 17. Gay MCAULEY : Translation in the Rehearsal Room: Serious Play at the Cultural Interface Index