Abstract
This paper argues that Marion Milner's contributions to psychoanalytic understandings of art are of interest as comments both on ways of approaching the production of images and their generation of meaning, and on the practice of psychoanalysis in the consulting room. This is supported by discussion of her case history, The Hands of the Living God (1969).
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
