Image and identity: Religious symbols and symbolic representation on European Masonic nineteenth-century certificates

Abstract

Masonic certificates have a fascinating and unique iconography. Many of the documents possess great artistic value. Other certificates, like the one drawn during the Napoleonic wars by a French prisoner of war in Okehampton, Devon, testify to how readily the language of Masonic symbolism was used and understood during this time. The spiritual, mystical and extremely eclectic character of Freemasonry presented a challenge for artists who tried to give the ideas of the Craft artistic form. It became their charge to develop a whole new iconographic system in order to present the unique social and moral identity of this fraternal society, and they drew their inspiration from sources as varied as Egyptian, Jewish, Christian, Greek and Roman mythology, religion and architecture.