Abstract
This article explores illegal migration through Tunisian rap. It considers this music an aspect of resistance and protest against the socio-economic and political conditions obliging thousands of Tunisians to cross the Mediterranean in makeshift boats in search of better prospects and challenging the increasing security and legislative measures crippling mobility imposed by the EU and Tunisian authorities. This article contends that harga songs document the history of the working class in Tunisia and carve the identity of harraga as people who have been marginalised for generations. It concludes that EU-Tunisia security talks and dialogues remain ineffective as long as the root causes of illegal migration have not been addressed. Keywords: illegal migration, Tunisian rap, resistance, marginalization, security, immobility, identity
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