Abstract

The interdisciplinary approach in history makes it possible to widen researchers’ perspectives. Italian literature is one medium in which we can reflect the relationship between geography, identity and imagination. John Agnew’s idea that ‘Place is a meaningful site that combines location, locale and sense of place’ conveys the main aspect of a ‘meaningful location’ and gives us a framework within which we can rethink space and place through Italian literature.1 In my research, I intend to examine the connections between identity and landscape, how experiences form the view of the environment through Giacomo Leopardi’s Infinity (1819) and Francis Petrarch’s letter of 26, April, 1336 in which he describes a vision about his ascent up Mount Ventoux. My main aim is to present how the impressiveness of nature becomes visible through the experiences of Leopardi and Petrarch, which is part of their existence. The mountain and the sea are key elements of these texts. The two places chosen and described by the poets have different significance: while Petrarch considered that the Mount Ventoux is the place of spiritual fulfilment, for Leopardi the hill of Recanati meant an isolated place where he could let his imagination roam free. All in all, this research offers new perspective to discover relationship between Italian literature and other disciplines in order to answer other, complex theoretical questions. I examined the topic from an interdisciplinary view to highlight the ways in which history, geography and literature can be linked.

Highlights

  • I intend to examine thè connections between identity and landscape, how experiences form thè view of thè environment through Giacomo Leopardi’s Infinity (1819) and Francis Petrarch’s letter of 26, Aprii, 1336 in which he describes a vision about his ascent up Mount Ventoux

  • My main aim is to present how thè impressiveness of nature becomes visible through thè experiences of Leopardi and Petrarch, which is part of their existence

  • The two places chosen and described by thè poets have different significance: while Petrarch considered that thè Mount Ventoux is thè place of spiritual fulfilment, for Leopardi thè hill of Recanati meant an isolated place where he could let his imagination roam free

Read more

Summary

Introduction

Sotto questo aspetto la lettera attinge alla tradizione cristiana: se da una parte Petrarca am m ira il Monte Ventoso come un miracolo della Creazione, che m erita rispetto per la sua im ponenza e la sua resistenza alle avversità del tempo; d all’altra, v i vede il luogo dell’incontro con Dio.16Egli ha portato con sé il volum e delle Confessioni di San A gostino e in cim a al monte lo apre e legge il seguente passaggio: «e vanno gli uom ini a contemplare le cime dei monti, i vasti flutti del mare, le ampie correnstianesim o e il giudaism o.

Results
Conclusion
Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call