Abstract
Abstract This paper examines the circumstances and mechanisms of the seizure of Jewish-owned artworks and valuables in Italy after the tightening of the racial laws under the Republic of Salò, focusing on Venice as an exemplary case study. Through specific instances, it illustrates the procedures for confiscating and exploiting artworks in the Venice area, highlighting the relations between the executive Fascist power and the German occupation forces. In particular, the analysis tackles the involvement of the antiquarian trade as well as the significant role of the Superintendent of Venice, Vittorio Moschini (1896–1976) in securing Jewish-owned artworks for Venetian museums. The paper concludes with comments on the need for a historical revision of the events and argues that, in light of its absence in Italy since the Washington Principles, there is an urgent need to establish provenance research in Italy.
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