Abstract

The article is dedicated to the memory of the outstanding Ukrainian composer Myroslav Skoryk. From the standpoint of aesthetic analysis, the vital philosophical dimension of the composer’s work is revealed. An example of the interpretation of the philosophical and aesthetic principles of vitalism in the work of M. Skoryk is one of his early opuses — the cantata “Spring” on the poems of Ivan Franko and one of the brightest orchestral works “Carpathian Concert”. The aesthetic and philosophical principles of vitalism are singled out, namely: synergetic artistic concept, harmonious correlation of opposite poles, vitality of the vital element of his music in different guises, synthesis of different levels of historical, national, stylistic elements dominated by nationally oriented constants.

Highlights

  • The article is dedicated to the memory of the outstanding Ukrainian composer Myroslav Skoryk

  • The aesthetic and philosophical principles of vitalism are singled out, namely: synergetic artistic concept, harmonious correlation of opposite poles, vitality of the vital element of his music in different guises, synthesis of different levels of historical, national, stylistic elements dominated by nationally oriented constants

  • Естетико-фiлософськi засади вiтаїзму синергетичнiсть художнього концепту, гармонiйна спiввiднесенiсть протилежних полюсiв, життєстверднiсть вiтальної стихiї його музики у рiзних iпостасях, синтез рiзнорiвневих iсторичних, нацiональних, стильових елементiв з домiнуванням нацiонально зорiєнтованих констант перевтiлюються в його творчостi зi свободою i природнiстю м’ятежного генiя

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Summary

Introduction

The article is dedicated to the memory of the outstanding Ukrainian composer Myroslav Skoryk. Victor Andrushchenko[1,2], Liubov Kyyanovska[3], Vasyl Fedoryshyn[1,4] Фiлософсько-естетичнi вимiри вiтаїзму у творчостi Мирослава Скорика

Results
Conclusion

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